The
National Memorial Day Concert
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This is the story of one of the great
honors of my music career: performing in the National Memorial
Day Concert in Washington, D.C.
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The
Most Exciting Six Minutes of My Life |
These minutes took place center stage at
Carnegie Hall, with Kristin Chenoweth. Oh my. |
Rhapsody
in Blue for Two Guitars and Orchestra
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George Gershwin's "Rhapsody in
Blue" was one of the very first attempts to blend jazz and
classical music, and it remains to this day as one of the most
successful. This is a tale of a new look at Gershwin's
classic.
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Playing
the
Concierto de Aranjuez
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On April 28, 2007, I performed Joaquin
Rodrigo's "Concierto de Aranjuez" with the Ohio Valley
Symphony. This is the tale of learning and
performing this masterpiece.
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Hong
Kong and Shenzhen Tour Travelogue
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In November 2006, I was hired to go to
Hong Kong and Shenzhen, China to perform in concerts conducted by
Maestro Erich Kunzel. It was one of the most amazing
experiences of my life. This travelogue gives a glimpse of the
tour.
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Hong
Kong and Shenzhen Tour Photographs
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Click, click, click went my camera
while on tour in Hong Kong and Shenzhen. You too can click,
click, click through the photos.
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Musicians shouldn't take themselves too
seriously. If we're not having fun, how can our audience have
fun?
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A
Kunzel Tale |
An amusing, odd tale from a recording
session with Maestro Erich Kunzel. |
Freddie
Green Comping |
The basics of 4-to-the-bar swing rhythm guitar. |
Copyrights
for the Working Musician |
An overview of how copyrights work: who gets
paid, when they get paid, who has to pay, and how the money is paid. |
The
Orchestral Guitarist |
Orchestral work is often overlooked by
guitarists, even though it is challenging and interesting work that
pays well. This essay is a discussion of orchestral guitar
playing, including what skills are needed, how to get the gig, and
how to keep it. |
One of my first
full time gigs was playing guitar in a show of 50's music at Kings
Island in 1981. I don't miss dancing like Chuck Berry while
playing "Johnny B. Goode," but I do wish I still had that pink tuxedo.
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Mastery
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What does it mean to become a master of the guitar? |
Tuning
the Guitar |
Getting your guitar in
tune seems like it should be simple, but for some reason it
isn't. Here are some suggestions for tuning. |
Interview
with: John Abercrombie |
John talks
candidly about his early terror in the recording studio, competition among
jazz musicians, and sight reading |
Interview with: Howard Alden |
Howard tells
about the worst gig he has ever had, the mechanics of working with a 3
guitar ensemble, and what he thinks "good music" means. |
The orchestral
banjoist: A
real life game of "What is wrong with this picture?" |
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Interview with: Joshua Breakstone
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Joshua discusses
the relationship between art and self expression, not listening to guitar
players, and how he handles working with new rhythm sections when he
travels. |
Interview with: Jimmy Bruno |
Jimmy discusses his
many year long transition from playing commercial music to playing jazz,
life in the music world of L.A., and what it takes to succeed as a jazz
musician |
Interview with: Cal Collins |
Cal talks about his
early transition from bluegrass to jazz, parachuting while drunk, and the
oddly large number of good jazz musicians in Cincinnati, Ohio. |
Interview with: Mark Elf |
Mark talks about the
necessity of self promotion, what he has gone through to establish his
name as a player, and life in the music business. |
Interview with: Bruce Forman |
Bruce discusses
his opinion of jazz critics, learning tunes, and pick technique. |
Interview with: Jimmy Ponder |
Jimmy discusses his
friendship with Wes Montgomery, his love of recording and the difficulties
of making a living from playing jazz. |
Yes, we really did wear clothes like this back in
the day. For some reason, the Cincinnati Pops refuses to
wear these outfits on stage. |
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Interview with: Kenny Poole |
Kenny discusses his
view of fame, the struggle of playing jazz guitar for
a living, and bass players with big ears. |
Interview with: Bob Roetker |
Bob talks about
life as a jazz guitarist in the U.S. Army, teaching, and learning tunes. |
Interview with: Craig Wagner |
Craig talks about the
Java Men, his unique picking style, and the differences between learning
in the practice room and on the gig. |
Interview with: Jack Wilkins
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Jack
discusses the importance of listening when playing, his amusing
and caustic opinion of jazz critics, and musical self expression. |
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