Every good musician has good ears. Having good ears is as fundamental
to a musician as having good legs is to a basketball player.
A very small percentage of people are simply born with good ears. They
have a gift known as "perfect pitch" which means they can hear a
pitch and know exactly which note the pitch is.
Most of us do not have perfect pitch, so we must work to develop our
ears. Our ears must be trained to hear just like our fingers must be
trained to play.
The first step toward developing good ears is to be able to recognize
the scale step of any given note in a melody. You should learn to hear a note,
and immediately know if it is the root, 2nd, 3rd, 4th, etc. of its tonic
scale.
You need not know the name of the note. In fact, unless you have
perfect pitch, you probably will not know the name of the note by ear
alone. But you should learn to hear a note and recognize its
position in the scale.
For example, play a C chord on the guitar (even better is to do this on
piano). Then play the notes in a C scale: C D E F G A B
C. Play the C chord in between each of the notes, and listen to how
each one of them sounds against the C chord. They all have a
distinct sound; each step of the scale tugs against and blends with the
tonic in a unique way.
Work on learning to recognize the scale step by having a friend play a
C chord, then a random note from the C scale. After a while, it will
become automatic -- you will learn to recognize each scale step just like
you recognize a friend's face.
When you are comfortable with recognizing the steps of a major scale,
begin work on the minor scales. Then begin work on all the notes in
between the notes of the scale. You will eventually recognize a flat
5 just as easily as you recognize the third.
After you have learned the basics, you can then make use of all the tunes you already know from our
culture -- TV themes, Christmas tunes, folk melodies, simple pop tunes,
that sort of thing. We all know hundreds, perhaps thousands of these
simple melodies.
All day long, when you have a few unused brain cycles, such as when
standing in line or driving your car, think of a simple tune you know, and
picture what the melody looks and feels and sounds like. Then work out how
the melody would be played in some non-specific key. Think of the scale
steps of each note in the melody. Sing
or whistle the melody to yourself. Try to imagine each note's relationship
to the tonic - or its relative position in the scale.
The key you think in is
unimportant, but if you want to give it a key, think in the key of C.
For a very simple example, let's think of Row Row Row Your Boat.
It is:
1
1 1
2 3 3
2 3 4 5
Row row row your boat gent-ly down the stream
8 8 5
5 3 3 1 1
Merri-ly Merri-ly Merri-ly Merri-ly
5 4 3 2 1
Life is but a dream
At first, it may be easier for you to think of a piano keyboard as you do this.
If you do, just always think in the key of C.
As you picture the relationships of the notes, imagine playing them on
the guitar. Picture your fingers on the fret board in a familiar scale
form as you sing the melody to yourself. Don't try to actually play it on
guitar until you have fully worked it out in your head. Then sit
down and play it. If you have worked it out properly, you will be
able to play it "by ear" the very first time you try to play it.
Do this with dozens, hundreds of songs. Do this every day
throughout your day whenever you are bored. It will become a new
hobby for you. It will help you pass the time while standing in line
and the awful Muzak radio is playing "Like a Rhinestone
Cowboy". (5 5 1 2 3 5)
You will develop great ears and it will feel effortless because you
won't have to devote valuable time to it -- you will be just making good
use of time that is otherwise wasted.
After a while, which really might be months or even a couple years
(nobody ever said playing music is easy even though it's fun), you'll
develop a sort of "map" in your mind between your knowledge of
theory, your sense of pitch, and your fingers. Each component of the map
will help reinforce the other components.
I know this seems confusing, and it will take a while at first, but
then all the sudden it will click. You'll be able to hear more and more
complex melodies.
Make sure you start out with very simple little melodies - Pop Goes the
Weasel, Old McDonald, Jingle Bells -- that sort of tune. It's unlikely
that you'll be able to jump straight into hearing bebop lines if you are
unable to hear Oh When the Saints Go Marching In.
Happy listening.
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